Some party games are scarier than others. Rituals like chanting Bloody Mary into a mirror or playing with a Ouija board already contain the risk of summoning some sort of supernatural spirit, and even ‘Hide and Seek’ has something innocently sinister about it. Truth or Dare, however, is more often used as an excuse for teenagers to reveal secret crushes or challenge each other to make out, so when a group of friends get stuck in a deadly version of the game it just raises the question of why a demonic trickster would be so invested in their sex lives.
When Jeff Wadlow’s Truth or Dare introduces its cast of stereotypical doomed teenagers I couldn’t decide which of them I hated more: The nauseatingly pure Olivia Barron (Lucy Hale) who describes how her YouTube channel is for charity while her Snapchat is for fun, or the rest of her peer-pressuring judgemental friends. While it’s common for horror films to introduce a close-knit group of characters that are gradually torn apart by horrible situations, it’s rarer for these friends to be complete assholes to each other from the beginning. Some of Truth or Dare’s main cast are so openly obnoxious that it’s like Wadlow knows we’re just waiting for them to die suitably violent deaths. Thankfully we don’t have to wait too long for that to happen, but at least the assholes are more entertaining than the bland main characters. The only one of the group who even feels like a real person is Hayden Szeto as Brad Chang, with a scene between his closeted character and homophobic policeman father being the only moment in Truth or Dare that actually had an emotional impact before it’s immediately forgotten and moved on from.
The trouble starts for Olivia and her friends when they follow a stranger going by the name Carter (Landon Liboiron) to an abandoned chapel to continue drinking and partying while on a spring break vacation to Mexico. In this dilapidated setting it’s revealed that Carter only needed someone to pass the game onto to save his own skin, in a scene resembling It Follows if it was made for fifteen year olds. From then on Olivia and her friends can be asked the question at any time by a force that can possess anyone around them. This possession turns their eyes unnaturally wide and gives them a creepy distorted grin, an effect that more resembles a Snapchat filter more than a horrifying supernatural force. I’ll admit that one of the characters in the film made this same observation, putting Truth or Dare in the odd category of films that insult themselves before critics can. There are actually multiple points that I could feel the screenwriters desperately trying to justify their own premise – with a change in the rules meaning characters can only ask for two truths before having to complete a dare, or players being texted “Truth or Dare” if there’s no-one around to be possessed. While Blumhouse Productions has found success with unusual premises in horror films like The Purge, Ouija, and Happy Death Day, trying to make Truth or Dare scary suggests they may be running out of ideas.
1 and a half stars.